 |
|
With Showbiz,
they were dismissed as baby Radiohead copyists. So
with Origin Of Symmetry, they threw a match
into the fireworks factory of Matt Belamy's head
and let all hell break loose. And, to forcefully
conclude that metaphor, there were some spectacular
explosions, but it was all over the place. All bang
and no sparkle. With .Absolution, .Muse. reign.. in.
.those ..supernova
impulses and execute a controlled explosion of remarkable
substance. As ever, Howard and Wolstenholme construct
a titanium backbone of a rhythm section for Bellamy's
neo-classical compositions, which are flawlessly
and spectacularly carried off. It's a semi-masterpiece,
by the way. |